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2018奥斯卡最佳影片水形物语讲述了什么?

2018-03-07 09:33[影视英语] 来源: 浏览: 次 评论:

   2018奥斯卡颁奖典礼已经落下了帷幕,最佳影片《水形物语》无疑是当晚最大的赢家。不过,在大奖解开之前,大家都觉得这是一个悬念,《水形物语》和《三块广告牌》都是这么的优秀。这个结果对观众们来说还是有点意外的。那么,《水形无语》这部电影到底讲述了什么呢?接下来,可能要剧透啦~

[www.enbus.cn 免费英语学习网站]

  Del Toro's The Shape of Water, which erased all sorts of lines, was the most nominated film and it took home four Oscars Sunday night, the most for a single motion picture in a year with a surprisingly diverse palate of nominated films. While Three Billboards, a candid, brutal look at a woman's rage that her daughter's murder was not investigated, won trophies for McDormand's steely performance and Sam Rockwell's portrayal of the cop that attempts to hold her back. [http://bbs.enbus.cn 英语论坛]

  《水形物语》力压《三块广告牌》,夺得最佳影片在内的4项大奖,成为当晚最大赢家~

  不过,获奖结果一出,还是有不少人颇感意外。毕竟,此前《三块广告牌》的呼声和口碑也不是盖的,而“下水道怪物爱上我”的重口味“怪兽片”《水形物语》,似乎对有的吃瓜群众来说有点接受不能。

  Giles, is modulating the story of his neighbor and best friend, Eliza (Sally Hawkins), a mute orphan in early-1960s Baltimore who clocks into a monotonous job mopping a government research facility’s floors. Her speechlessness is enough to distance her from the world, though she does have Zelda (Octavia Spencer, forever a scene-stealer), a loyal pal from work who’s facing her own domestic tedium. All three characters long for love — Giles is gay but can hardly advertise it for fear of societal retribution — yet they find comfort in one another’s dignified company.

  《水形物语》这部电影讲述的是一场“人鱼恋”。

  《水形物语》的女主是一个活在社会最底层的哑女,每天只能面对着阴暗潮湿的环境……

  故事发生在上世纪60年代的美国巴尔的摩,以一位同性恋画家吉尔斯的口吻,讲述了他最好的朋友 —— “无声的公主”哑女伊莉莎的故事。

  伊莉莎在一个政府研究机构做清洁工,她日复一日的生活单调乏味,不会说话也让她远离了主流世界。她的身边只有邻居兼好友、落魄的同性恋画家吉尔斯以及黑人清洁工同事泽尔达。

  哑女、同性恋、黑人,这无疑是那个时代美国社会的边缘群体,而这三个被主流社会边缘化的孤独之人,只能相互抱团取暖……

  And then, on what should have been another ordinary day, everything changes. A stony overlord (Michael Shannon) brings a mysterious aquatic creature to the laboratory, christening him “the most sensitive asset ever to be housed in this facility.” As Eliza and Zelda are cleaning one evening, they catch sight of this bipedal beast with roving, human-like eyes and scales like a fish.

  然而,他们孤独而平静的生活意外被打破了。某天,研究机构人员从外面运回来一个神秘生物,并称其为“放置在机构中最敏感的资产”。而伊莉莎在打扫时却发现,所谓的“资产”,其实是个水陆两栖的鱼怪……

  As “The Shape of Water” unfurls across a well-paced 123 minutes, a splendid phenomenon occurs: Eliza falls in love with the creature. It’s mutual. She won’t let these bureaucratic blowhards exploit him. From there, del Toro’s film becomes a tender romance, punctuated by the queer undertones of two disenfranchised souls connecting in the shadows of their own isolation. Of course, these cruel federal agents won’t stand for a custodian lurking around their new prize.

  伊莉莎渐渐发现,这只被锁在实验室中的“怪物”,能够与人沟通,并且有感情。两颗孤寂的心在朝夕相处中越走越近,产生了爱情的火花,伊莉莎也决定要帮助鱼怪逃脱实验室研究人员的魔爪……

  Del Toro’s film, though set in 1962, is as timely and relevant in its portrayal of an invisible woman taking matters into her own hands. (Elisa is repeatedly ignored and dismissed as a lowly “piss-wiper”.) And unlike the heroines in the monster movies Del Toro grew up watching, she doesn’t need to be rescued from the clutches of a monster; she is doing the rescuing.

  “陀螺”的电影背景尽管设定在1962年,但却与现实息息相关,呈现了一位“隐形女性”掌握自己人生的故事(作为一名卑贱的“清洁工”,伊莉莎不断地被无视)。而和“陀螺”成长过程中观看的其他怪兽电影的女主角不同,伊莉莎不需要别人将她从怪兽的魔爪中解救出来;反而是她在救怪兽。

  或许,以影片中的一首小诗来概括这部电影中的爱与包容最为合适。

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(编辑:bruce)

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